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When it comes to music culture, Kansas may not be the first place that comes to mind. Yet, a new wave of artists, storytellers, and fans is challenging long-standing attitudes toward hip hop and rap in the state. At the heart of this shift is The New .Wav, a visionary initiative that aims to connect all music centers in Kansas by fostering unity and positivity through the power of hip hop.


Recently, this movement made its mark in Manhattan, Kansas, in the form of its most recent embodiment of concert experiences, "CIRQUE DU MIXTAPE" bringing a fresh energy that may very well ripple out to surrounding cities and beyond.


Traditionally, Kansas’s music venues have been more welcoming to genres like country, rock, or jazz. In fact, many venues have policies against hosting hip hop shows, often due to stereotypes about rap’s association with controversy. The New .Wav, however, is confronting these biases head-on, introducing audiences and venue managers alike to the possibilities within hip hop culture. The recent event in Manhattan was more than just a show; it was a live experience aimed at altering perceptions, with each beat and lyric resonating with a positive energy that broke down cultural misconceptions about hip hop.


This event did not just focus on the music but on storytelling as well. Through carefully crafted storylines and live interactions, The New .Wav showed the audience how live hip hop is a compelling experience. Artist, Hebersain's story about overcoming obstacles, told through his lyrics, connected with Manhattan residents from all walks of life, highlighting that the challenges expressed in hip hop are often universally understood.


The promotional campaign for The New .Wav played an essential role in drawing attention to this show. Organizers leaned into a scarcity-based approach, generating excitement by emphasizing that this was an experience not to be missed. The message was clear: hip hop had come to Manhattan, and it was here to share a new vision. Video teasers showcasing artist previews and glimpses into the artistic message behind the event built up anticipation and invited curiosity. By the time the show rolled around, tickets were in high demand—a testament to effective promotion that went beyond traditional advertising and tapped into the community’s growing interest in diverse musical experiences.


This show isn’t an isolated event but the start of a larger movement, one with the potential to connect the different music scenes across Kansas. The ultimate goal is to create an environment where hip hop and rap are respected as mainstream forms of art, no longer relegated to the outskirts of Kansas’s music industry. If The New .Wav continues to be well-received, it could pave the way for future shows in cities like Emporia, Lawrence, and Wichita, establishing Kansas as an inclusive state that embraces the full spectrum of music.


For Manhattan, the success of this show signifies more than just entertainment. It represents a cultural shift and a breaking of barriers. Local residents who attended the event left with a broader perspective on hip hop’s cultural and artistic value, helping dismantle long-standing biases. As The New .Wav continues to expand its reach, the mission is clear: to change hearts and minds, creating a Kansas music culture that respects all genres and stories.


This initiative, fueled by genuine passion, effective storytelling, and strategic promotion, isn’t just about music. It’s about community, understanding, and the transformative power of art. For those in Manhattan who experienced this show, it’s clear that The New .Wav is more than a concert series—it’s a new chapter in Kansas’s musical legacy.




featuring Seuss Mace(Topeka) Dutch NewMan(LFK)
5v5 Topeka vs Lawrence


As spring breathes new life into the world, the neighboring cities of Lawrence, KS (affectionately known as LFK), and Topeka, KS (proudly referred to as Top City), geared up for an unprecedented musical showdown that set the stage to become stuff of local legend. Dubbed "March Music Madness," this event is not just a competition but a celebration of talent, community, and the unifying power of the Kaw Valley hip hop scene. Over three electrifying weekends in March, 32 artists from these two vibrant communities will battle it out for not just bragging rights, but for a chance to win cash prizes, a music video and the hearts of their hometowns.


What's at Stake:

At the heart of March Music Madness lies an opportunity for local artists to shine and rise. The event promises a hefty $500 cash prize giveaway to contestants, divided equally between Lawrence and Topeka participants. Furthermore, the two overall winners—one from each city—will receive an invaluable prize: a professionally produced music video that could catapult their careers to new heights. This isn't just a competition, It's a launchpad for local talent.


The Contenders:

The line-up is as diverse as it is talented, with genres ranging through the hip-hop spectrum, showcasing the rich musical tapestry of both cities. Lawrence brings to the stage an eclectic mix of artists Performing at Elmo’s Tavern, Yung Ched, LJ Dior, and TtristanstarR, while Topeka counters with heavy hitters performing from The Legendary Boobie Trap Bar. Artists like Chu Cho and APG Tone bring their unique sound and style, promising a series of unforgettable performances.


The Battle Format:

The competition is structured to maximize excitement and showcase the depth of talent across three rounds, leading up to the grand finale at The Bottleneck, where Lawrence and Topeka's finest will go head-to-head in a 5v5 clash featuring special performances by Dutch Newman (LFK) and Seuss Mace (TOP).


Preliminary Rounds:

- Round One (Sweet 16): Contestants perform two songs from their catalog. This initial round is all about making a strong first impression.

- Round Two (Elite 8): The stakes are higher, with three songs required, pushing artists to delve deeper into their repertoire (no repeats allowed).

- Round Three (The Final Four): Finalists can pull out all the stops, performing four songs, including two from previous victories.


The Rules of Engagement:

Respect is paramount. Participation is not only encouraged—it's judged. Punctuality, engagement, and sportsmanship are as crucial as musical talent. And let's not forget the fans; their energy, votes, and enthusiasm can sway the outcome, making each performance a collaborative spectacle.


Judges and Venues:

A panel of esteemed local figures and special guests, including Dre Logic and Dp of the Hands Team representing for Lawrence and Anthemous T Rocknrolla and Ghost judging in Topeka.

The venues—Elmo’s in Lawrence and The Legendary Boobie Trap Bar in Topeka—promise to offer an atmospheric backdrop to the fierce but friendly competition.


Why It Matters:

March Music Madness goes beyond the prizes and the competition. It's a testament to the vibrant local music scenes of Lawrence and Topeka, a celebration of artistic expression, and a beacon for community unity. It offers emerging artists a platform to showcase their talents, connect with new fans, and potentially kickstart their music careers.


A Call to Music Lovers:

This event is more than just a competition. It's a community celebration, Free entry means there's no barrier to enjoying the wealth of local talent on display.

For the artists, this is a chance to perform, compete, and connect.

For music lovers, it's an opportunity to discover new favorites, support local talent, and be part of something truly special.


As March Music Madness unfolds, the excitement is palpable. This isn't just about Lawrence vs. Topeka. It's about showcasing the heart and soul of Kansas' music scene. So, mark your calendars, invite your friends, and get ready to be part of music history. Let the madness begin!

For Hip Hop, Yung Ched, U-Neek, and Fritsy's Trailblazing Live Rap Performance Collaboration is MAJOR



Kansas City, MO

In the pulsating heart of Kansas City's music scene, a groundbreaking approach to live rap performances emerged at Harrah's Casino VooDoo Lounge during StratGazer's VooDoo XMas Concert. Yung Ched, U-Neek, and Fritsy took the stage not as individual acts but as a collaborative trio, unraveling a concept that holds the potential to reshape the landscape for underground and independent rap artists.


Yung Ched, U-Neek, Fritsy, and Flex the Drummer

The traditional pay-to-play scenario was turned on its head as the three artists strategically orchestrated a joint performance, revolutionizing the way fans experience live shows. This innovative approach solves three pressing conundrums that have long plagued hip hop events and performances.


  1. No More Talent Show Feel: The typical turnstile hip-hop show often leaves audiences bored and makes the show horribly predictable. However, by sharing the stage, Yung Ched, U-Neek, and Fritsy eliminated the talent show vibe. With all three acts on stage together, their collective fan bases converged, injecting a heightened energy into the set that resonated throughout the venue.

  2. Naturally Energized Performances: Solo artists are often constrained by performing to pre-recorded tracks, but the trio format provided a unique solution. By collaborating on a set list and lending support to each other, the artists delivered naturally energized performances. Backing vocals, collaborative hooks, and seamless transitions between tracks showcased a level of live performance rarely seen in solo acts.

  3. No More Filler Tracks: The trio format allowed artists to curate a setlist featuring only their best tracks. With 2-3 certified bangers per artist, the show unfolded as a crescendo of energy, each song aiming to outdo the last in a healthy and competitive manner. The elimination of filler tracks ensured that every moment on stage was impactful, leaving a lasting impression on the audience.



This collaborative approach not only promises an enhanced live experience for fans but also serves as a testament to the power of unity and teamwork within the rap community. By featuring multiple artists on a shared stage, the performance becomes a collaborative effort rather than a solo endeavor. The result is not just a packed house but a true team-building experience among artists.



Yung Ched, U-Neek, and Fritsy deserve recognition for pioneering this innovative concept, unveiling a new paradigm in live rap performances. Their trailblazing collaboration is a testament to the evolution of the hip-hop stage, setting the stage for a future where unity and creativity converge to create unforgettable live experiences.




©2025 by RAPVETERANS.

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